2.The Hindu Bagpipers of New Jersey
3.Keeping Hawaii’s Slack Key Guitar Music Alive
4.The Secret Record Label Within Waffle House
5.The Mad Genius Behind Chuck E. Cheese’s
6.In Canada, a First Nations Artist Puts a New Spin on Techno Music
7.How One Man Built His Own Spacesuit
8.Bright Lights and Honky Tonk Nights
9.A Record-Breaking Collection
10.How a Film About Cuban Rum Turned Into Much, Much More
11.The Musical Genius Behind the “Friends” Theme Also Wrote “September”
12.The Last Bookstore Begins a New Chapter
13.Higher and Higher: Bringing Chinese Rap to the World Stage
14.No Longer Quiet: Meet the Singer Starting a One-Woman Riot
15.A Family in the Business of Beats
16.In Japan, Seniors Step Up to Bat
17.In Louisiana, a Photographer Captures the Disappearing Wetlands
18.The Mastering Engineer Changing the Industry
19.How Traveling Inspires Singer/Songwriter Aloe Blacc’s Music
20.Japan’s DJ Monk Spins the Holiest Beats
21.Move and Groove to Colombia’s Music Sensation
22.Shanghai Jazz Gets an Electronica Twist
23.Hip-Hop and Horses
24.Dancing Without Sound, Performing Without Sight
25.Playing the World’s Largest Flutes
Filmmaker David Freid is nothing if not prolific. After shooting his first documentary in 2016, the director went on to make 49 more in just two and a half years. Great Big Story is proud to share two of those films. First up, “Maori Metal.” The second, titled “This Film Used to Be About Rum,” will debut in the coming weeks.
“Maori Metal” follows Alien Weaponry, a metal band made up of teenage brothers Henry and Lewis de Jong and their friend Ethan Trembath. Together, they are out to preserve the ancient Maori language and culture in New Zealand.
Freid injects the film with a good amount of humor, partially derived and inspired by Alien Weaponry’s van. As the band members are all underage, their parents drive the custom Alien Weaponry van to and from their gigs.
“I got there, and I saw their van, and what does it say on the side? ‘Hail the new wave of destruction,’ and it’s got some kind of alien death ray on it. It’s all black and imposing,” Freid recalls. “I laughed because I thought, it’s just like ‘Little Miss Sunshine.’ ”
In “Little Miss Sunshine,” a family piles into an old VW van to get a little girl to a pageant. “I started thinking about the structure of ‘Little Miss Sunshine,’ about how it’s like a road trip, and it’s about family more than the final destination,” Freid says.
Any similarities between the road trip in “Maori Metal” and the journey in “Little Miss Sunshine” are intentional. “That became the device to give myself and, hopefully, other people who might be turned off by the genre of music access to the story,” Freid says.
When we’re not making films, we’re watching them. Introducing “Great Big Spotlight,” Great Big Story’s latest series highlighting our favorite documentaries from some of the best filmmaking talent out there. Next up is David Freid’s “Maori Metal.” Watch more from Freid at his website.
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17 videos | 48 min
9 videos | 26 min
5 videos | 17 min
4 videos | 12 min